Project Pat & Juicy J): At least the spacy music doesn’t sound anywhere near as ignorant as is normally feared from a song “starring Juicy J.” For that matter, neither do the lyrics, though that’s probably because you can go only so stupid with weed. Usually I give these kind of songs a pass, but the tone of the first verse and the emotional hollowness of the second kill whatever enjoyment I could get out of this.
#Wiz khalifa promises instrumental no beat serial
(For the record, I didn’t find the (supposed) use of “interior” to be serial killer-like, just incredibly clumsy). The line that the video writes as “did you see her interior” is supposed to read “ anterior,” though the fact that he points to a house doesn’t help the matters. This song is produced by Detail, & while his beats aren’t bad, he seems to aspire to being the next T-Pain. This song is the type of So Bad It’s Horrible where there’s no way a parody could be this intentionally bad without falling under Poe’s Law (See also: “23”). We Dem Boyz: I refer you to RapCritic’s review of this song, as he pretty much covers everything that is wrong with this song, though I still have a few pointers: 1.Wiz’ lyrics, however, are the discount version of any of a number of songs about gold-digging, most of which did far better at doing so. (That said, I’m not trying to be too insulting – Mike WiLL’s production skills have really evolved since he jumped the Brick Squad, and the beat isn’t bad either at any rate, it’s far better than “Senile”). So it’s quite a step down to go down from that to what sounds like “Glaciers of Ice” as interpreted by Mike WiLL Made-It. Ty Dolla $ign): The intro by Chevy Woods is not terribly interesting, bordering the line between philosophical and pretentious, but at least the backing cloud instrumental’s really good, serving well as both the body & chorus of a song.
Not necessarily in the sense of being unbiased, even I feel like it’s more along the lines of “will leave no impression whatsoever.” Not the best expectations going in, but at least it’s better than being thoroughly terrible, isn’t it?
Because of this, I’m literally going into this album with no expectations. What Wiz has seems to be a strange variant of That Guyism, where the least remarkable thing about him is his rapping he does just well enough to make a crossover hit once or twice annually, but poor enough for it to not translate into an appreciable growth of the fanbase. Nor is it exactly fair to label him nondescript: He’s this generation’s equivalent of Snoop Dogg, at least as weed is concerned. And he isn’t a celebutante in the strict sense of the word – it’s pretty obvious what line of work got him into the public consciousness. Wiz Khalifa. He’s not exactly an underground artist – he’s had four major singles since 2011, though as far as I’m concerned only “Young, Wild, & Free” stands on its own, and that’s almost entirely thanks to the music.
Xtra Tags: drake type beat future type beat chief keef wale type beat currensy type beat migos type beat yg type beat eminem type beat drake asap type beat zaytoven type beat wiz khalifa kendrick lamar curren$y type beat drake type instrumental asap rocky nas type beat instrumental lil wayne spaceghostpurrp type beat wiz type beat hopsin type beat logic type beat j.I don’t really have an opinion about Cameron Thomaz, a.k.a. Get the HQ untagged instrumental NOW from my instant delivery beat store: įor more instrumentals, mixing & mastering, cover art, or voice tags go to my website – Twitter:
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